Thursday, 26 September 2013

Threshold I

Synthetic polymer paint, and fluorescent gaffer tape on boxboard.


This rhombus is a prototype, the starting point (threshold) of an object of reflection.

The luminescent (lumin [light] essence) tape, radiates colour from behind the painted surface. A photon is absorbed as an equivalent photon is immediately emitted.

The geometric form resembles a hallucination experienced in the transitional state between waking, and sleeping (Hypnagogia). Lucid dreaming, the subjective experience on the edge of sleep, occurs at this threshold of consciousness.

©ADG2013

Sunday, 22 September 2013

Kaleidoscopic Skin II


Watercolour, pencil and ink on watercolour paper, with digital reflection.

©ADG2013 

Monday, 16 September 2013

Mind Blank







Ballpoint pen on copy paper.

These drawings emerge during the monotony of work. Where the mind is quiet with boredom, oscillating in the open space of alpha waves.

©ADG2013

Tuesday, 27 August 2013

Crystal Virus ◊



Xerographic print on cardboard.


It is thought that the virus emerged at the same time as the first single cells.

The living cell operates as vector to this obverse structure. Neither alive or dead, the virus is a self-modifying code, able to genetically alter the infected cells. Once inside, the virus reproduces by creating multiple copies of itself, through a process of self-assembly.


The infection causes unique patterns.

©ADG2013

Sunday, 18 August 2013

Squaring the Circle



Xerographic print on cardboard.

Squaring the circle refers to an ancient problem in geometry, to create a square and a circle with the same area, using only a compass and ruler. It became a metaphor for trying to do the impossible, as the problem was never solved, and it was only discovered to be unachievable in the late nineteenth century.

In alchemy, squaring the circle referred to a specific symbol that was a clue towards acquiring the philosopher's stone. The figure was a nested sequence of circle, square, triangle, circle.

○ □

As with most alchemical language, it was actually a metaphor describing the unity of opposites. The diagram signifies body, soul, and spirit and was a lesson about wholeness, the unification of the self.

©ADG2013

Friday, 26 July 2013

Is this all there is?



☰ ☰ ☰ ☰


Try and do the same thing twice, you will find infinite variation•
Look closer at anything, and you will unravel exquisite detail•

©ADG2013

Friday, 5 July 2013

State of Flux




Hallucinations of the primary visual cortex, 2012-13.
3.9m x 4.9m approx.
Xerographic print on copy paper, Acrylic and ink on board.



I was recently included in a group exhibition of works by Sydney College of the Arts Masters candidates at Delmar Gallery, Ashfield.  

The exhibition included artists Adam Adelpour, Lucas Davidson, Kasane Low, Chris Raymond, Nicola Walkerden, Amanda Williams, Ling Yuen.

Thanks to curators Geoff Weary and Catherine Benz for my inclusion.

©ADG2013