Within the Cerebral Cortex III

Watercolour, gouache, pencil and ink on watercolour paper, with digital reflection. 

 

Rhombus (◊).

©ADG2012

dɪpreʃəraɪ'zeɪʃən

Captured here is a unique interaction with an ordinary unit of matter. The material moves from its ordered state of uniformity into a dynamic folded space with a distressed static crackle. The noise of this material folding, and the faint sound of air escaping through the valve is produced as a result of its changing state. The light displayed off the broken surface radiates against the vacuum black, as a distinct region, a field of refraction.

©ADG2012

Within the Cerebral Cortex II

Watercolour, gouache, pencil and ink on watercolour paper, with digital reflection.

These self-replicating patterns of kaleidoscopic hexagonal form tessellate perfectly, and their construction can potentially be extended infinitely. When arranged as a vertical panel, an individual elongated hexagon appears like an illuminated stained glass window in the Perpendicular Gothic style. These dynamic forms illustrate an idea of vision from the mind's eye, the windows of the cerebral cortex, or the stained glass of the cerebral cathedral.

©ADG2012

Within the Cerebral Cortex

 

Watercolour, gouache, pencil and ink on watercolour paper, with digital reflection.


Initially intended to be used as a scientific tool, the kaleidoscope (observer of beautiful forms) permits dynamic vision. The apparatus, a cylinder of mirrors, transmutes asymmetric reality into a mathematical utopia of symmetrically flowering structures. In this way we simulate the view of the world as seen through the compound eyes of insects, which are typically hexagonal in cross section.
I am interested in this device for its ability to alter that which is seen, to look, to examine and to facilitate an expansion of complexity.

©ADG2012